Labirinto, the title of Christus Nóbrega’s exhibition, refers to a technique of lace making traditionally practised by the women of his home state, Paraíba. The exhibition reflects both his heritage and the enduring role of cotton in an economy with roots in the 16th century. It is an exhibition that reveals the story of Ingá, a small town in the district of Chã dos Pereiras and the tragedy of Nóbrega’s widowed grandmother, who losing all financial support, was forced to relinquish her six children to the care of distant relatives and religious institutions.
Sun Feb 3
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Canberra Contemporary Art Space