Tag: BMA Magazine
Anita Spring delivers a curious self-empowerment country-pop hybrid that soothes while it surprises in ‘This Ain’t Pretty’
Review by Vince Leigh Australian singer-songwriter Anita Spring has just released This Ain’t Pretty, a country-pop style track that adopts ...
I count at least 27 Reasons in this BMA Profile to engage with Kim Yang and her music
"Kim’s clear tones hit you from the very first note she sings. Her voice reminds me of the timbre of ...
Canberra’s Ghost Boy reveals LP ‘Tender Is The Night’ – piano-driven odes and acoustic guitar-led pieces channelling another era
Review by Vince Leigh Canberra’s Ghost Boy (aka Miles McLaughlin) has just released a new album, Tender Is The Night, ...
Youngster Sebastian Coe’s ‘Me’ is a finely-crafted ballad with melodic flights, dip, turns and suspensions
Review By Vince Leigh Sebastian Coe got his first break when he was eight, appearing on The Voice Kids Australia ...
Jarrow ‘Keep A Tab (On All My Friends)’
[Independent Release] Melbourne singer-songwriter Daniel Oke, AKA Jarrow, first launched his musical career with the 2015 EP Legitimate, followed by ...
Taylor Sheridan’s ‘When The Demons Come’ goes big to face dark thoughts
After two independent EP releases and a string of singles, emerging Australian singer-songwriter Taylor Sheridan has channelled all the disquieting ...
Jamaica Scream’s ‘Mad For You’ layers its anti-drug message beneath a laidback rock groove
Review by Vince Leigh Perth-based act Jamaica Scream has just released Mad For You, a rock track comprised of a ...
Sarah Bergman ‘What We Have’ contains an exhilarative performance, enhanced by an adventurous yet thoughtful production
Review by Vince Leigh Sarah Bergman’s debut single Pieces, which was released earlier this year garnered a great response, with ...
Eliza & The Delusions deliver an EP bursting with a bright, fuzzy energy
Eliza & The Delusionals A State of Living in an Objective Reality [Cooking Vinyl] Following on from their debut EP ...
Lucifungus unleash ‘Burn the World’, a post-doom succession of battering guitar riffs and bruising drum parts
Canberra’s purveyors of post-doom metal have just dropped Burn The World, a thunderously monolithic slice of sludge rock that is ...
