Dir: Wong Kar-Wai, G, Hong Kong S.A.R., China, 2000, 99mins, Subtitled
Released in 2000, In the Mood for Love heralded a promising new century of cinema and what a promise the film made. Film Comment noted it was ‘as intoxicating, as exquisitely nuanced, and as luxuriously sad as movies get’.
Set in 1960s Hong Kong, Mrs Chan (Maggie Cheung) and Chow Mo-wan (Tony Leung Chiu-wai) are neighbours drawn together through a shared heartache – their respective spouses are having an affair.
But living within the noisy and nosy walls of a cramped rooming house, they must hide their blossoming friendship – and possibly their love.
The exquisitely crafted on-screen world is born of memory for Wong – ‘it’s about the memory of my childhood, an era, a Hong Kong that’s been lost’.
Expertly realised by two of contemporary cinema’s most accomplished cinematographers, Christopher Doyle and Ping Bin Lee (best known for his work with Taiwanese director Hou Hsiao-Hsien), In the Mood for Love contains some of contemporary cinema’s most iconic images: Maggie Cheung gliding up the stairs in one of her many beautiful cheongsam dresses; Leung with his slicked hair, sharp suit and sad eyes savouring their fleeting glance.
Winner of Best Actor (Tony Leung Chiu-wai) and the Technical Grand Prize at the 2000 Cannes Film Festival, In the Mood for Love remains essential for film fans and hopeless romantics alike.
This 4K digital restoration was undertaken from the 35mm original camera negative by the Criterion Collection in collaboration with L’Immagine Ritrovata and Jet Tone. It was supervised and approved by Wong Kar-Wai.
Notes by Kristy Matheson.
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