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Changes to the ANU School of Music

Column: News   |   Date Published: Thursday, 3 May 12   |   Author: Rosanna Stevens   |   1 year ago

School of Music student and Scissors Paper Pen coordinator Rosanna Stevens was tweeting live from the press conference held today to discuss the structural changes to the School of Music. Here is a summary of her tweets and what she gleaned from the conference:

“These changes have been planned for years. They are being enacted as immediately as possible because of financial pressures, and also because they want the restructure to commence next year with the new Undergrad intake.

The school will be teaching theory in the context of composition and music history. All performance students will also learn to play jazz and compose. Essentially, it seems they're finally making music students aware of not only their surrounding musical world, but also setting them up to be more employable.

Rather than footing the bill of performance students, each student will be given a Personal Development Allowance, which is a model already used by UNSW. Students spend this at their discretion, according to their interests. ANU’s will be larger than UNSW’s, at about $600 per student per semester. This money can be spent on professional development courses in other states, or example, on musical tuition in the music school, or even on travel for an internship. They're wanting to ensure students still have opportunities available for them, but also make them aware of all the kinds of employment and engagements available to musicians. We have to be diverse in our talents. We can't all train to end up performers or paupers.

Adrain Walter (Head of the School of Music) said of the restructure (which ensures the SoM is living within its means financially) “We are now in control of our futures.” Also, that while other music institutions are responding to financial challenges by pruning back their curriculums, ANU decided to restructure entirely. Walter also said “The new model enhances our capacity to engage with the community.”

I think it's actually going to open up the music school a little more.”

Here’s the official word from the School of Music: 

Significant changes to the ANU Bachelor of Music are proposed for the start of 2013. 

ANU Vice-Chancellor Professor Ian Young said: 

“The innovative program of study will be more flexible, more connected with the community and offer more student choice. 

“Under the proposed new model students can, for the first time, receive academic credit for contributions to musical activities in Canberra and beyond. ANU will build on the already significant technological advances that connect students with master classes, other students and innovations at world-class music schools, acrossAustralia and overseas. 

“This curriculum refresh has been in the making for the past three years, but has been accelerated by financial circumstances. The proposal suggests a model that is financially sustainable.

 “The 2011 Lomax-Smith review of higher education funding confirmed that government funding does not cover the costs of one-to-one music tuition, let alone buying instruments or providing appropriate teaching rooms. 

“Change is essential if music is to survive at a tertiary level here and across the rest of the sector.

 “The ANU School of Music, led by Professor Adrian Walter, has taken a creative and comprehensive approach to regeneration and devised a sector-leading new curriculum. 

“The revitalised program will strengthen opportunities for students to develop the skills needed across a range of music jobs. Other unique features are proposed as well: 

- a Professional Development Allowance (PDA) that will be allocated to students, allowing them to choose between specialist one-to-one tuition, attending a summer course, master class or conference, or learning a new piece of music software, and

- real-time, video-linked lessons and sessions with the support of the Manhattan School of Music. 

“The new program acknowledges the fact that successful 21st century music professionals engage in a broad range of activities as they build their careers. They need to be highly-skilled creative artists, who are business and technology savvy, with entrepreneurial skills and a good basis in teaching practice.

“A change management process will run alongside the new curriculum, to ensure that staff and student needs are met. A smaller group of staff will be required to run the new offerings. To achieve this reduction all academic and general staff positions in the School of Music will be declared vacant, and applications invited for the new positions.

“Existing staff have the option to apply before outside applications are invited. Those who do not secure a position in the new school will be paid their full entitlements.

“Importantly, ANU also guarantees that existing students will be able to finish the degree they started, with arrangements made to ensure they can complete.

“Information sessions for staff and students will be run in the coming weeks to discuss the changes and how they impact on individuals.”

Adam Hadley’s Farewell:

“If ever there was one man to take over the world, that man would be Adam Hadley” – Nicholas Combe, 2011.

All good things must come to an end, and it is with this adage in mind we must say a heartfelt goodbye to Hadley. For although the nation’s capital will suffer excruciating feelings of abandonment, rejection and betrayal, it is important to remind ourselves that the poet, slam champ, organisational wizard, Bootlegs MC, festival Führer, inaugural Miss Corinbank winner and all round wonderful, inspiring and completely mad human being has given more to Canberra’s arts world than any other, so we really should consider ourselves blessed and not bereft. Oh fuck it, who am I trying to fool. HADLEY! WE’RE GOING TO MISS YOU SO MUCH! SERIOUSLY. HAVE YOU ANY IDEA HOW MUCH WE’LL MOURN!? CANBERRA WILL GRIEVE FOR A HUNDRED YEARS! Righto, now that’s out of the way, on with the deets. Hadley’s having his farewell bash at The Phoenix, naturally (“Hadley is the human equivalent of The Phoenix” – Tom Stayner, 2012), and he’s roped in Trendoid and Alphabet (YouTube Intergalactic Glory Hole (feat. PissChrist MC) for a titillating taste), Fun Machine, Andrew “Bring a Brollie” Galan and probably a whole stack more he hasn’t had time to text message me about yet. It’s all going down on Thursday May 24. Get ready for a big one Canberra. We love you Hads. Julz x

Canberra gets new old venue in The Abbey:

Under the direction of Canberra chef-cum-entrepreneur Andrew Holland, The Abbey at Federation Square, Nicholls, is being converted for live music.

Previously known as the place you had your high school formal when you couldn’t afford Parliament House, The Abbey will now play host to classy dinner-and-a-show evenings. They’ve invested in a whopping sound system, jazzed the interior up to the nines and from early June will start bringing in acts such as Renee Geyer, that mistress of smoked jazz, to cap off evenings of top notch food and wine.

As Canberra’s northern regions swell and pop from their constraints like Hulk from his clothes it’s venues like this that are set to drag down new niches in our fair town. If you, like me, neglected to pamper your mother sufficiently on Mother’s Day, have a peek at the website (www.theabbey.com.au). It could be what saves you.

Smiths Alternative Bookshop née Winter Venue:

Smiths Alternative Bookshop has been a quiet fixture in Canberra for more than 30 years. If you’ve ever walked between The Wig and Pen and The Phoenix you’ve walked past it; if you’ve ever gone looking for a rare book you’ve probably ended up there; if you’ve been keeping an eye on Canberra’s cultural calendar you’ve noticed more and more events are being held there.

The reason for this growth is Smiths’ investment in a liquor licence and a local promoter has decided to capitalise on it by launching a series of winter gigs under the moniker ‘The Paperback Sessions’.

As mastermind Georgia Curry has written, “I dreamt up a grand plan to turn this bookshop by day into an intimate music hub by night. In the cold light of day my daft plans looked like a complete work of fiction… But think back to the mid-70s when Smiths first opened, it went against the grain and was alternative in politics, religion and sex, taking on issues around left leaning politics, feminism, gay and lesbian issues and basic human rights when those issues were still considered to be on the fringe. That’s gutsy. Making a little music is a walk in the park by comparison.”

In the spirit of alternativeness The Paperback Sessions’ inaugural gig sees two-time ARIA winner Brendan Gallagher (of Karma County) appearing Friday June 8, 8pm. You can find the man’s music here and because bookings are essential this is where you can make them for $20.

Now is the winter of our discontent made glorious summer by wine and music in a bookshop.

The Garema Place Ice Rink Returns In 2012:

It’s back! Courtesy of the folks at Canberra CBD Ltd, Actew AGL and the ACT Government the Garema Place ice rink will be back this year—and it’s even bigger!

The rink officially opens Friday June 29 and runs to Sunday July 29. And who knows? If people love it just as much as they did last year they might extend the rink’s tenure like last year too. This year the organisers are promising family discounts, movies on Saturday nights, themed cultural Sundays (featuring Scandinavia, India and Germany—why/why not?), a party lounge for hire (call 0427 630 865), fashion shows and a special offer for kidlets under five: skate for free with a paying adult!

So kids, brush up on those boos and hisses, substitute ‘ice rink’ for ‘Mount Splashmore’ and start whispering ‘Scrooge’ early and often! Keep an eye on www.inthecitycanberra.com.au for details of ticketing and opening times.

Three Fantastic Gigs at The Front:

On three dates in May wonderfully warm and cosy The Front Café and Gallery will play host to three fantastic gigs. On Sunday May 13 ex-Canberran now-Melburnian Kate Grealy’s gorgeous voice and gorgeous songwriting, which is influenced by jazz, folk, hip hop and punk, will warm up your Sunday eve from 6pm. And then, if you’re in need of a mid-week pick me up, blues hound Moondog J will be bringing his own brand of original Australian blues to the table on Wednesday May 16. Later in the month on Thursday May 24, Jasmine Beth will be entrancing audiences with her majestic story songs. Whether delivering gritty Tom Waits style blues or a poetic ballad, she draws her audience in with her fresh sound, sharp, meaningful lyrics and warm, enticing vocal style. This one kicks off at 8pm.

ANU School of Music Petition Gains Traction:

As you’re probably aware tremendous cuts to the funding of the ANU School of Music have been announced. (Read more here.) The Head of the School has gone on indefinite leave amid growing tension between staff, students and administration.

This tension has manifested itself in a thriving online petition under Get Up’s ever-effective banner. It’s already 12,000 signatures towards the 15,000 signature target that will allow them to petition Federal Parliament. You can find the petition here: http://www.communityrun.org/petitions/savetheanuschoolofmusic-1?time=1336116509.

Other events being run concurrently and with the same aim are the campus-wide Protest Jam scheduled for Monday May 14, 12pm-2pm. It will feature musical performances at various locations around the ANU campus between 12pm-1pm and at 1pm there will be speeches and a march(ing band!) from Union Court to Chancelry. For more information see: https://www.facebook.com/events/404334596268196/.

The next day, Tuesday May 15, Llewellyn Hall will be hosting the Concert to Celebrate the ANU School of Music at 7:30pm. Staff and students will be performing to raise awareness about what the community of Canberra could lose if the re-structuring goes ahead. Internationally acclaimed classical and jazz artists will be performing alongside some of the top graduate students. For more information see: https://www.facebook.com/events/421916184500143/ .

Norwegian Jazz Quintet To Visit ANU:

Motif are a Norwegian jazz quintet. Are you a Norwegian jazz quintet? No, you’re not. Consequently what follows here will seem like gibberish but damn it all if it isn’t awesome gibberish. Like scat. Or Welsh.

Motif is made up of Atle Nymo, Eivind Lønning, Haavard Wiik, Ole Morten Vaagan and Hakon Mjaset Johansen. Awesome. And believe it or not they hail from such household name bands as Bugge Wesseltofts NCOJ, Free Fall (with Ken Vandermark), the Christian Wallumrød Ensemble, Streifenjunko, Kobuko Senjo and the Trondheim Jazz Orchestra. Awesomer.

They have an impressive work resume, ranging from work with international stars to a wide-ranging presence on the Nordic jazz scene, working with a ‘who’s-who’ of Scandinavian jazz; Terje Rypdal, the Jan Garbarek Quartet, Bugge Wesseltoft, Nils Petter Molvaer, Per Jorgensen, Audun Kleive, Jon Christensen, Sidsel Endresen, Bobo Stenson, Palle Danielsson, Tore Brunborg, Christian Wallumrød, Trygve Seim and many, many more. Working extensively also in the improvised music field, they have cooperated over the years with artists such as Axel Dörner, Rudi Mahall, Tobias Delius, Johannes Bauer and even Australian greats like Clayton Thomas, Robbie Aivenam, and Tony Buck.

Now even though you may know the last three guys and be able to pronounce their names, don’t get put off! These guys are still musical geniuses and no amount of legible English collaboration will stop them from being so obscure you’ll be the postscript in hipster. Motif are playing at The Band Room in the Peter Karmel Building, ANU, on Saturday June 16, 7:30 pm. Tickets are $30/$20 and are available on the door. Call 0439 045 365 for more info.

Australian Burlesque Festival 2012:

Australian burlesque stars and producers Dolores Daiquiri and Rosy Rabbit proudly announce the national tour line-up for the biggest celebration of tease in the Southern Hemisphere, The Australian Burlesque Festival. It boasts four revered international performers touring alongside six local superstars with more performers to be announced for each city. The bursting popularity of the burlesque revival is in full swing around the globe with festivals and competitions in all major cities. Australian burlesque is internationally renowned for its unique flavour of theatrical, glamorous and avant-garde burlesque and outrageously talented performers. The Festival is sashaying its way into Canberra on Friday June 22 at the Erindale Theatre. www.australianburlesquefest.com

Transit Bar to launch Nite Society with Purple Sneakers:

On Saturday June 9 Purple Sneakers will be launching a new event series at Transit Bar under a united banner: Nite Society. The launch will feature one of Australia’s most exciting live electronic pop artists, Elizabeth Rose, and set the tone for this new event movement focusing on curating artists of classic and innovative indie, electronic and club sounds.

Nite Society, a running event, aims to sustain a culture in Canberra for supporting breaking artists from interstate. The collaborative effort will allow for a greater range and calibre of acts to be presented to Canberra’s nightlife and music event communities.

As event manager Duncan Brown states, “We believe in taking a gamble on interstate artists and DJs who may not have gained a great deal of traction in Canberra yet in order to enrich our nightlife with a constant flow of new live and electronic music experiences. We are looking forward to inviting independent and signed boutique music acts to perform in our city in an intimate yet dynamic setting so that people can celebrate the weekend with exciting new music.”

So far Nite Society has announced Softwar (Syd) on Friday June 29, Millions (Bris) and Step Panther (Syd) on Saturday July 14, and Hunting Grounds (Vic) and Gung Ho (Bris) on Saturday August 11. There are more nights to be announced and more artists to be announced for every one of them.

For more details and for ticket giveaways, competitions, event galleries, and guest-list details visit www.facebook.com/nitesociety.

 

 





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