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Toy Story 3

Column: The Word on Films   |   Date Published: Thursday, 8 July 10   |   Author: Mark Russell   |   2 years, 10 months ago

4 ½ out of 5

Woody, Buzz and the rest of this batteries-included crew have taken us a long way over the last 15 years. Toy Story 3 is, as to be expected, brilliant. Yet again, Pixar Studios have hit their ridiculously high benchmark with a story that plays all the right notes. This adventure takes these now very familiar characters to day-care, after their owner Andy accidentally misplaces them while packing for college. And this is the story at hand: what happens when the kids grow up?

This film is obviously a labour of love for all concerned. As the first Pixar 3D offering (and as such, a revolutionary piece of cinema), the original Toy Story gave us brilliant story-telling through cutting-edge animation. Where Shrek has used all its sequels to explore new paths circling the drain of credibility and relevance; this third instalment rounds out one of the truly great trilogies.

Viewed with an overly-harsh-critic’s lens, number 3 is a hair behind its forebears in terms of quality. The story has slightly less surprises, though this could be due to the very clear, strong structure behind it; and the fact each plot point flows so effortlessly into the next. It’s probably also a little scary for many ankle-biters. The climactic sequence in particular has some very intense imagery attached to it, though this is also undoubtedly the most impressive visually. But we can’t really blame them for appealing to a more adult audience. With so long between sequels, this is probably less a kids’ film, and more about the rest of us proving we’re not too old to dig in the toy-box.

The Karate Kid:

4 out of 5

This remake of the eighties classic has tonnes of heart: both in a Rocky, and a Forrest Gump, sense. It follows Detroit twelve year old Dre (Jaden Smith) as he tries to adjust to his new home in China. The local bullies take a disliking to him, and pretty soon he’s learning all the mystical kung-fu wisdom he can from maintenance man Jackie Chan, in order to beat them.

At over two hours, twenty minutes, this film is too long: meandering through a few unnecessary sub-plots and oh-my-god-we’re-in-China moments. These rarely drag however, the length being especially impressive in a family film and a real tribute to the script’s pacing. Smith is capable in the lead role, and even manages some very impressive moments, though he’s a little inconsistent overall. But it’s Jackie Chan who’s the real revelation. His turn in the dramatic tent-pole moments is genuinely heart-felt and gritty in ways completely unexpected from the kung-fu slapstick master.

It was a strange decision to do almost exactly the same storyline as the original film...while shifting the martial art from karate to kung-fu...without actually changing the film’s title. Some of the sequences don’t work quite as well in the new surroundings either. But fun is the key and the tongue-in-cheek nods to the earlier films only add to this overall tone.

The Karate Kid delivers brilliantly on everything it attempts. It’ll please all comers with a film that excites, emotes and entertains. Definitely worth the price of admission.

Animal Kingdom:

4 out of 5

Animal Kingdom is easily one of the strongest Australian films to come out of our industry in a while. Though clearly part of the ridiculously over-done bogan-gangster genre, it gives us a completely fresh look at the subject matter. The acting and cast are phenomenal, the cinematography is incredibly rich and the story itself draws us in beautifully. It also features one of the best opening scenes I’ve watched in many years.

Josh (James Frecheville) has just lost his mum to a heroin overdose. She was the last line of defence between Josh and her family of career-criminals, whose nefarious existences are watched over by Josh’s grandmother - twisted matriarch Janine (Jackie Weaver). Janine’s boys’ activities are being watched very carefully by the armed robbery squad and when the cops take things too far, retribution is swift and violent.

Animal Kingdom’s script is electric, a fascinating peek into the minds of some very intense characters. The similarities with Melbourne’s Walsh Street murders and the Pettingill family are a little disconcerting, as no mention is made of them. Weaver is superb, balancing her character’s home-spun exterior and rotten interior perfectly. Frecheville does a brilliant job of stoic fear, even if his general lack of awareness makes it a little hard to buy his effectiveness in the later scenes. Ben Mendelsohn is also chilling as unbalanced crim ‘Pope’, and Guy Pearce is great to watch as the seemingly last honest cop.

Great stuff.

 

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