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Nowhere Boy (Icon)

Column: The Word on DVDs   |   Date Published: Tuesday, 11 May 10   |   Author: Melissa Wellham   |   3 years ago

Nowhere Boy, directed by Sam Taylor-Wood, focuses on the early life of John Lennon (Aaron Johnson) and the emotional turmoil behind his musical education – he had a lot of angsty teenage drama. A young John is torn between two women: his aunt and his mother. Controlling and severe Aunt Mimi (Kristen Scott Thomas) has raised Lennon since he was a boy, and his free-spirited mother (Anne Marie Duff) hasn’t seen him since she abandoned him to his Aunt’s care.

The actors in Nowhere Boy are well cast. Aaron Johnson perfectly embodies the brash arrogance that one expects from Lennon (and he pulls off the hairstyle, too), while Thomas Brodie Sangster is instantly likeable as a white-suited, pink carnation-wearing, tea-drinking Paul McCartney.

The screenwriter Matt Greenhalgh (who also wrote Joy Division biopic Control) captures the dialogue of the time, and punctuates the script with sly references to the future of The Beatles. One of the most enjoyable aspects of the film is the typically rock ‘n’ roll atmosphere; the swinging soundtrack, the carefully coiffed hair and slick cityscapes. However, the real charm of Nowhere Boy is its heart, and how much it cares for the characters (and not just because one goes on to be a future member of the Fab Four).

The special features on the DVD are extensive, and include a featurette on the making of the film, deleted scenes, theatrical trailer and an extended interview with Sam Taylor-Wood. For Beatles fans, Lennon’s Liverpool walks the audience through the effect of Lennon’s surroundings on his music and the significant landmarks featured in the film, while another featurette includes interviews with the elderly original members of Lennon’s first band, The Quarrymen. From the references to The Beatles, to the bromance, to the stylish Buddy Holly glasses – Nowhere Boy is worth the rental, if not the cost of owning it on DVD.

A Perfect Getaway (Roadshow):

Occasionally, a film that promises to be a B-grade, straight to DVD, phone-message-checking, magazine-reorganising, CD-alphabetising snorefest turns out to be halfway decent. Its not that I have anything against Timothy Olyphant, as Deadwood’s Seth Bullock he was the stoic heart and moral compass in a world gone batshit insane and sure I no longer harbour a grudge against Steve Zahn for appearing in Reality Bites but really… on paper A Perfect Getaway looks formulaic, dull and uninspiring. It’s a story about a couple honeymooning in Hawaii hot on the heels of a spate of gruesome murders. But being the stubborn young would-be victims that they are, Cliff (Zahn) and Cydney (the underused Milla Jovovich) set out to camp on a scenic, secluded beach. A run in with some island trash spooks the happy couple but warning signs are for audiences – not characters in films. More warning signs pop up in the form of rugged, know-it-all man of action Nick (Olyphant) who, as an exaggerated ex-Marine type, is suitably threatening and occasionally helpful in unequal measures. The trailer trash re-appear out of nowhere just as expected and it’s from this point that the guessing game really begins in earnest. Writer and director David Twohy is no slouch – he’s behind some of best (The Fugitive), the worst (Waterworld) and inexplicably popular (the Vin Diesel helmed Riddick franchise) films of the past few decades. The key to A Perfect Getaway’s success is how Twohy plays with audience expectations – drawing us into well designed, but ultimately dead ended side plots but also keeping the clues solvable. Once the real killers are revealed the movie picks up in pace but loses dramatic tension. It’s an unfortunate trade-off because I was quite enjoying the tease. Nevertheless, it’s an unusually satisfying action thriller and one that really came from nowhere.

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Party Down Season 1 (Anchor Bay):

Party Down is an unassuming show; the sort that creeps up on you over ten episodes slowly revealing its idiosyncrasies. Revolving around the lives of a small group of dissatisfied and disillusioned actors working in catering to pay the bills before their dreams evaporate means that Party Down is an office comedy with a brilliant get out of jail free card – the putative ‘office’ changes every week when the team go to another home, function, seminar or birthday party. It’s a brilliantly simple plot device that gives the show a sense of forward momentum, leaving behind the sordid office politics so readily mined elsewhere (The Office as an obvious but by no means solitary example). The other brilliant element of the show is its understatement. Mercifully free of big personalities, zany characters and fish out of water situations it is droll, dry and harsh where every other comedy these days is either trying to be the next Arrested Development or has re-heated the mocu-drama to within an inch of its life; Modern Family and Parks and Recreation excepted as they are both quite splendid. Party Down the catering company is managed by Ron Donald (Ken Marino), an overly cautious Brent-like character struggling to supervise a handful of employees who routinely ignore him, regularly drink on the job and generally don’t give a shit about anything – least of all any last vestiges of self respect they may still cling to. Adam Scott (Six Feet Under and fine jaw-bones) is the standout as Henry Pollard – the guy who once had a famous catchphrase in an advert years ago – he knows its over, but he lives in hope. Jane Lynch (Glee), Martin Starr (Freaks & Geeks) and Lizzy Caplan (True Blood) elevate this show to instant cult status.

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